Artist Statement

I speak of footprints, of scars, of passions, of dreams, of tall tales, of skin deep invisible maps that never stop being our own memories, becoming the highest point of our invention.

Nudity and Purity. Soft and vulnerable flesh, on which, subtly, is written the principal text, perhaps the only text that is inseparable from our selves, our experience. Wounds and desires that cannot be verbalized and appear disguised as symptoms.

Encodings of all that returns for having stayed uncomprehended and that, like liberation, seeks to make conscious the unconscious.

Experiences that become increasingly opaque, causing memories to be even more important than our experiences. Blindness that playfully warns, entering the wondrous world of our imagination, where, without preamble, takes control of any hint of sanity. Pains that take charge of emphasizing the presence of the body which melts with time.

Memories that insist with bias on the circularity of pleasure, of the past, of passion, of suffering. And always encrypted, codes that escape the understanding that was also there and that pretentiously refuses to be a part of your past.

And to continue dreaming, given the subject of dreams, is to continue remembering eternally.

http://snapartists.com/gallery/

Evey Jones’ monotypes are printed on delicate pieces of silk and on gorgeous, creamy paper. She successfully captures the momentary play of light and shadow over objects inside archetypal empty rooms.

Shirts of My Father by Evey Jones

Homescapes is the umbrella term that she uses to describe these pieces in which certain areas of the silk are saturated with solid black ink while others are left intact. The graphic intensity of these images eloquently conveys the core subject matter of Jones’ work: the almost unbearable burden of the absence of loved ones left to rest on the shoulders of those who still remain.

Each one of the pieces is slightly different. Some are somber and impervious to the outside world and others are flanked by balconies or windows that seem to offer an escape route to a better future. The empty chairs sometimes stand alone while, in some cases, a group of them seem to engage in melancholic recollection of people long gone. In any case, Jones accomplishes getting across a powerful message with only a whisper, a sigh that reaches the heart like a quiet yet lethal dart.

In Winged Figures, birds and angelic figures visit our consciousness perhaps trying to convey messages or propitiate a change. The common element are the wings as indicators of  a magical, prophetic presence. With their ability to fly these figures seem to do more than just move through space: they move through time and into the past to nest in our memories.

To view available artwork by Evey Jones visit:

http://www.arthaus66.com/online-art-gallery/evey-jones/

http://www.arthaus66.com/online-art-gallery/evey-jones/

Do you have questions about the artwork featured on the website? In that case don’t hesitate to contact us at clarimon@arthaus66.com or by calling 505-830-9653 Mon – Fri, 9 – 5 pm.

While the same rules apply for collecting pretty much anything you can think of, collecting fine art seems to be the cause of some trepidation among neophytes. The truth is that collecting in general is an enjoyable journey of discovery and learning.

The myth of prior knowledge that discourages many novice collectors is a misleading notion. You should not feel that you lack the expertise needed to successfully put a collection together. That will come in time and it will grow as your collection expands.

John Lennon said it best: “All you need is love”…and in the world of collecting this is the very first and most important requirement. A deep love for the object itself be it a quilt, a vase or a painting, should always be the starting point of a collection.

After that, the hunt begins. Enjoy this process and be patient. Experience the joy of searching on your own terms and go where your heart takes you. Never allow someone else to select items for your collection as it would transform it into something impersonal and disconnected from you.

Buy those objects that tug at your heartstrings. Don’t think in terms of monetary returns or investment and don’t worry if you cannot afford works by internationally known artists. The emerging artists you are supporting today could very well be the famous figures of the future.

Notice how your taste changes over time. If your focus shifts into a different arena a great option is to trade or even donate the items you wish to remove from your collection. Perhaps, you could give a piece to a friend who loves it and, in turn, spark the launching of a new collection. Eventually, you will find your niche. Specialization on a specific medium, style or period emerges with time.

Above all be a good caretaker of your artworks. You are a link in a long chain that will go on for as long as a piece remains intact. Read about how to best expand the life of you collection and how to protect and properly store the items that you so lovingly and patiently gathered.

Time will do the rest and you will acquire a great deal of experience and an education that no other pursuit could have provided. The artwork you selected for your collection will tell your story and your collection will be a tangible and beautiful reflection of who you are inside.

A short but interesting clip on ARCOmadrid 2010…and a little bit of shameful promotion from SAAB…The cars are good…what can I say…

http://www.youtube.com/watch?v=cU_oT09OqA4

"Stairway to Heaven" Eugenio Merino ARCO 2010

The Israeli Embassy has complained about the work ‘Stairway to Heaven’

The ARCO modern art fair in Madrid has its first controversy of the year with a work ‘Stairway to Heaven’ from the young Madrid artist, Eugenio Merino.

It shows an Arab on his knees praying, with a Catholic priest on the Arab’s back also knelt in prayer and with a Rabbi in turn standing on the shoulders of the priest.

The work, made from resin, silicone and human hair, has already sold to a Belgian collector for 50,000 € as is exhibited as part of the space from the ADN Gallery in Barcelona, but has also drawn a complaint from the Israeli Embassy in Spain. They have commented that the freedom of expression or freedom of art serves on occasions only as a simple mask for prejudice. ‘An offensive message does not stop the hurt because it pretends to be an artistic work’.

The artist has said he did not want to provoke with the work, saying that his idea was ‘the co-existence of the three religions, each making a common effort to reach God on the literal plain’.